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Murder at Westmill (1848)

 
 
Murder Ballads
Secret London
Miscellany

Nine-year-old boy brutally murders his infant sister. Mother driven mad by the crime.















The Broadside
Undated, and offering a verse account alone, this Thomas Birt sheet is headed Full particulars of the cruel and horrid murder At Westmill, near Huntingford, Hertford, by Wm. Games, a boy eight years old, On the body of his little Sister. There's no illustration, but some care's been taken in varying the size of type in this headline and spacing it out over seven centred lines to make it look as attractive as possible.
The verses have been given a more slapdash treatment, with a typo transforming "Huntingford" to "Buntingford" in the opening verse. Birt's original also gives the family's name as "Games" rather than, as The Times prefers, "Game". I've corrected both these points in the version below.

The Ballad
You tender parents all around,
Come listen unto me,
While I unfold a murder cold,
An awful tragedy,
Near Huntingford in Hertfordshire,
In a village called Westmill,
Thus sad inhuman murder,
Will cause your blood to chill.

This murdered child so innocent,
And just five years of age,
Has closed her little eyes in death.
All by a brother's rage,
A lad of only nine years old,
How dreadful to relate,
Each parent's heart must bleed with woe,
To think upon her fate.

The killer's name is William Game,
He struck the girl with dread,
Then with his father's bill-hook,
He wounded her dear head,
Then cut and maimed her hands and face,
In such a dreadful way,
Enough to make your blood run cold,
When thinking of that day.

How little did their parents think,
When they were far from home,
That such a shocking fate as this,
Would to their daughter come,
That they should see her mangled corpse,
Lay bleeding on the floor,
The darling child they loved so well,
Alas was now no more.

Her tender mother when she found,
Her darling child was dead,
Was driven into wild despair,
Her senses now are fled,
You tender parents when you hear,
This shocking tale of woe,
The feeling for your children dear,
Will cause your tears to flow.

This youthful killer now does find,
How hard 'tis to bewail,
The horrid crime of murder,
Within a dismal jail,
May God some comfort now impart,
To parents of this Cain,
Who for their murdered daughter mourn,
How dreadful is their pain.


The Facts
A report in The Times of September 1, 1848, confirms this ballad sprang from a real case. On August 24 that year, William Game, his wife and eldest daughter left their tied cottage at Coles Park, Westmill, for a day working in the fields. Billy, their nine-year-old son, was left in charge of his three younger sisters: Lucy, who was four, Hannah, aged two, and an unnamed baby.
Between 6:00 and 7:00pm, Mrs Game returned with the oldest daughter to find Billy, Hannah and the baby waiting by the garden gate. Asked where Lucy was, Billy replied "She lies dead in the house". Mrs Game raised the alarm, a policeman called Inspector Bryant arrived, and he went in to examine Lucy's remains.
"On examining the body of the child, he found the right arm frightfully shattered and the skull fractured, the brains protruding," The Times report says. "Blood and brains were on the outside door of the house, and on the window in the room some brains, and also near the door a pool of blood."

'The old gun clicked several times, and then went off,' Billy said. 'And she took and rolled down.'

Moving through to the bedroom, Bryant found an old gun, which he saw had been recently discharged. William Game confirmed the gun had been loaded when he'd last seen it, and the surgeon who later examined Lucy's body said her wounds "might be caused by a gunshot or some heavy blunt instrument used with great force". Searching the house a few hours later, police found a blood-stained bill-hook which William said he'd used to chop up a rabbit on the previous Sunday.
An inquest was held on Friday - the day after Lucy's death - and Billy testified that he'd left her alive and well in the house at about 5:15 the previous evening while he walked up the hill towards Westmill. He said he'd got back to the house about half an hour later and found the door open, with Lucy lying dead inside. He said he then shut the door and went to wait at the gate until his mother got home. Billy had spoken to several passing neighbours while standing at the gate, but told none of them about Lucy.
The next day, Bryant compared Billy's story to the coroner's evidence and that of a boy called Johnny Wallis, who had passed the gate with his mother while Billy stood there. He decided to question Billy some more, and this time the boy told him he'd seen a suspicious-looking man walking up Thrift Lane towards the Rectory at about 5:00pm on Thursday and, five minutes later, heard a gunshot at the back of the Games' house. That was when he walked in and found Lucy dead, he said.
Bryant clearly didn't believe a word of this, and returned to Billy with the news that no-one could trace anyone matching the strange man's description. At this point, Billy seems to have broken down, and decided he had no choice but to tell the truth. "I wanted my sister to stay in the house on Thursday while I went to see if my mother was coming," he said. "She said she should not. Then I went into the little plantation by the woodhouse and fetched a stick. I went back to the house, and asked Lucy if she would stop in the house. She said she should go along with Billy.
"Then I hit her ever so many times on the head with the stick. She rolled down. I then fetched the bill from the corner by the pump and hit her on the arm ever so many times. I took hold of her body and moved her further into the house, and laid her on the bricks where she was found.
"I washed the bill in some water that was in a pail outside against the pump and wiped it on a rag, which I hurled away into the plantation against the apple tree. I put the bill where I took it from, and threw the water on the potato ground and put the pail near the pump. I threw the stick ever so far away down the hedge in Surcoat-mead. It went into the hedge. One end is bloody."
That was only the half of it, as Bryant discovered when he attended a medical examination of Lucy's body on August 29. There he saw several bits of shot removed from her brain, which matched two similar pieces found in the room where Lucy died. Confronted with this, Billy confessed that he'd taken his father's old gun from the bedroom and held it to Lucy's head. "It clicked several times, and then went off," he told Bryant. "And she took and rolled down." It was only then, he added, that he'd started hitting Lucy with the stick and the bill-hook, before disposing of the evidence with the chilling calm he'd already described.
Bryant was never able to find the stick, but he did find the bloody rag near the apple tree his young suspect had mentioned. Billy signed a confession admitting all he'd done - or at least put his mark to it - and was sent to Hertford Jail to await the next assizes.


Note
With Billy's confession on record, it seems almost certain he would have been convicted. Children that age were very seldom executed, however, and there's no record of an exception being made in this case. Transportation of convicts to Australia continued till 1857, so perhaps he was able to begin a new life there.

To hear Ernest Johnson singing Murder At Westmill (in a version he calls The Westmill Murder), please visit his Soundcloud page here.

Sources
* Full Particulars of the Cruel and Horrid Murder etc (Thomas Birt, 1848).
* The Times, September 1, 1848.

Songs menu: A feast of facts and all the lyrics

The menu below lists a few of my favourite ballads from the British Library's collection and elsewhere. Click on any title to find the full lyrics and my account of the case that inspired them. And, if you haven't already read it, do take a look at my background essay describing the London industry which produced these songs.

Part One (April 2010)

Mary Arnold, The Female Monster

The Execution of Nathaniel Mobbs

Mrs Dyer, The Old Baby-Farmer

The Gallows Child


Part Two (June 2010)

The Life and Trial of Palmer

The Silent Grove

The Liverpool Lodger

The Unnatural Murder


Part Three (Oct 2010)

Murder at Westmill

Streams of Crimson Blood

The Murdered Maid

Cruel Lizzie Vickers


Part Four (Feb 2011)

Jones and Harwood

The Sister and the Serpent

Jealous Annie

The Foreigner's Downfall

The Gallows Ballads Project: Musicians wanted
If you’d like to help PlanetSlade bring these gallows ballads back to life as fully-performed songs, why not set one of the 16 ballads’ public domain lyrics to your own music and record yourself singing and playing it?
   Any music you write would remain your own property, of course, as would the recording itself, and I’ll make sure that all writers and performers are fully credited.
   There’s no money in this for anyone – least of all me – but I think it’s a worthwhile project nonetheless. There are several ways to get your song heard:

1) Send a digital recording to me, and I’ll post it online with the other free downloads listed in PlanetSlade Music, together with a link from your chosen song’s page here.

2) Post the recording online at your own site or the hosting service of your choice. Let me know where it can be found, and I’ll add a link telling people where to go. Please remember that some hosting sites allow access to members only.

3) Film yourself performing the song, and post the video to YouTube. Once again, I’d be delighted to add a link here telling people where to find it.

4) Write your own song from scratch, based on the true story that inspired one of the ballads, then follow whichever of the above options suits you.


   Check PlanetSlade Music for a taste of what I have in mind. I spent all of 2012 recruiting contributors for this little project, and I’ve now accumulated at least one new recording of each of the 16 original ballads I selected. You can find links to all this audio on the PlanetSlade page above, or hear the whole “album” in the Soundcloud set here.
   The styles people have chosen range all the way from unaccompanied traditional folk singing via acoustic guitar ballads to full-on rock workouts with a whole band.
   Contributors so far include Sean Breadin of Rapunzel & Sedayne, The Jetsonics, Pete Morton, Fred Smith, Tim Radford, Big Al Whittle and South County.
   Three continents are represented in all, and at least one of the songs has already made it into the contributing band’s live set. None of the tracks have achieved a commercial release yet, but I dare say a couple will make that leap eventually.
   We’ve already got multiple versions of several songs up there, including Nathaniel Mobbs and The Murdered Maid, so please don’t feel you’re too late to make your own contribution.
   I’m all for people adding second, third or even fourth interpretations of a single song, using as many different musical genres as we can muster. Many, many thanks to all those who’ve already taken part.
   You can reach me with any questions here